NAB 2024: Adobe Talks Premiere Pro AI-Powered Audio Workflow Updates

Adobe高级产品经理Kylee Peña 讨论和演示新的内容。 音频工作流程更新在Premiere Pro designed to save time and reduce mouse usage in this interview with 流媒体的马克·富兰克林 在Adobe的展位 NAB 2024. 其中包括新的视觉淡出手柄, 音频类别标注, 更新效果徽章, 重新设计了剪辑颜色. AI会自动将音频片段识别为对话、音乐、音效或氛围. The updates also make it easier to access audio tools already in Premiere Pro, 例如增强语音, 汽车的低头, 混音, 以及响度匹配. The new features are currently in beta but will be released soon.

马克·富兰克林: This is 马克·富兰克林 for 流媒体 Producer at the Adobe booth at NAB 2024, 我们将与高级产品营销经理Kylee Peña讨论Adobe Premiere Pro的一些新功能.

Kylee佩纳: We're really excited to bring some new 音频工作流程更新在Premiere Pro, and these are really going to save people time and reduce the mouse mileage because. 之前，你只是拖着鼠标四处走动，需要点击很多次才能找到你需要的东西. 我进入编辑行业是为了做一名图片编辑, 不是音频人, 所以在这方面我需要一点帮助. 这有助于你专注于与你的音频类型最相关的工具.

Something I really love here in the timeline, 我们有新的视觉淡出手柄, so I'll zoom in a little bit so you can even see it a little better. Before you had to right-click or drag a transition on here, 现在你可以拖动这个小框，添加一个视觉渐变，这样你就可以改变它的长度和上升的幅度. 是的. 如果你往下看这里, 你可以在不同的剪辑中交叉淡出, 也可以拖过去. 现在我有了时间轴的所有指示，我可以确切地看到发生了什么，我对音量和渐变的性质有了一个概念，诸如此类的一切. 这非常方便.

马克·富兰克林: Is that going to replace the icon for the audio transition?

Kylee佩纳: 是的，确实如此. 是不是漂亮多了? 它更有用. 这个版本的另一个惊人之处是由aAI支持的音频分类标签. So when you add in a clip into the sequence, 音频剪辑, it'll automatically recognize it as dialogue, 音乐, 声音效果或氛围, 它添加了这个有用的小图标. 你可以从视觉上扫描这里，我可以看到这是对话，这是音效，等等. 更棒的是，你可以点击它它会弹出基本声音面板. And it's got the most relevant tools for that audio type. So I can jump right into enhanced speech loudness, repair, everything there. 这是情境性的. 所以当我切换到音效时, I see things that are most likely to be used for sound effects as well. So it really helps you get to a really good sounding mix faster. 用这里的工具, you don't have to dig into a bunch of different effects to get to that point.

马克·富兰克林: Bringing up an older project from where you have the audio transitions, 它会自动转换成这个吗?

Kylee佩纳: 是的. 我们也更新了特效徽章. So right here, if I hover over this, I can see which effects are added. I can right-click on it and I can add effects straight from here. It can hit Add Effects and it'll open the Effects window, or I can click on this and it'll open the Effect Controls panel. 现在我可以进入这里，我看到这里有一个变速装置，所以我可以在这里调整它. 所以我可以进入丰富的深度音频混合工具，已经在Premiere中通过这更容易. 我们还重新设计了夹子的颜色. We've got colors that are easier to read and they're very vibrant. 你会注意到波形比例和轨道高度的关系在你折叠轨道之前. 这就变成了一堆俄罗斯方块，很酷，但不是很有用.

But now the waveform scale as you go up and down, which is really great. 这些都是目前在测试阶段的东西很快就会出现在Premiere Pro上. 也使它更容易看到所有伟大的音频工具，已经在Premiere Pro, 比如增强语音, 汽车的低头, 混音和响度匹配. So it should help everyone get to their final mix and fewer clicks, 减少鼠标行驶里程, 更快地得到一个听起来很棒的混音. And even if you do go and do a final mix outside of Premiere, 这有助于您的离线编辑听起来不错. 所以你可以出售编辑，然后由其他人完成. So it sounds really good and it gets people immersed in the story and the craft.

马克·富兰克林: 你能想到人们想要进入Audition而不是在Premiere中做什么吗?

Kylee佩纳: 你当然可以直接进入试镜. We still have that and we're trying to bring some of the key tools into Premiere, 所以你不需要, but you can go deep with the deeper audio tools there. 例如, 与混音, 你可以再深入一点, so some people just want to go in and paint out frequencies and things like that. 但对于其他人来说，你可以在Premiere中继续学习，现在也可以走得更远. This is in beta, but it's going to be shipping in the next version very soon.